![]() It’s also very much a “changing of the guard” movie, with new characters being introduced and taking on important story arcs. ![]() Abrams keeps the action moving without ever letting it overpower the characters or their relationships, and in fact, those relationships are the core of the film, as they were in Episodes 4 and 5. BB-8 remains charming throughout, and one of the reasons we love this droid is that they don’t spend a lot of time trying to convince us to love it. This is especially noteworthy in the case of the endlessly appealing BB-8, the plucky spheroid droid who seems like R2-D2’s cute little brother (sister? Do droids have genders?). This is the sort of movie we were all hoping to see when we were given The Phantom Menace and its ilk there’s no prattling on about trade alliances, no annoying “comedy” characters, and most blessedly of all, no sequences where the story stops for ten minutes so they can try to sell us toys. But this isn’t one of those reunion shows where the old cast is trotted out for a “where are they now” segment as a substitute for an actual story. It’s like digging out your most comfy old pajamas from when you were a kid and discovering that they somehow magically still fit perfectly. Abrams, and writer Lawrence Kasdan do exactly that by the time the opening text crawl disappears into space, 35 years have melted away, and you’re right back to where you were when you first discovered Luke Skywalker and his friends. With Star Wars: The Force Awakens, director J.J. ![]() Share on Facebook Share on Twitter Share on Pinterest Share on LinkedIn Share on Pocket Share on Redditĭon’t ever let anyone say you can’t go home again.
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